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Organizations
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A Breath of Valkyrie on the Baltic Sea. Nationalism and Romanticism in the Literature of East Prussia
What do a knight of the Teutonic Order, the Song of the Nibelungs and Hermann the Cheruscan have in common? They were all intended to legitimize the founding of the German Empire in 1871, which celebrates its 150th anniversary this year. This was a "unification from above" for which Prussia waged...
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Einrichtungstyp
Cultural office
Cultural Office for Upper Silesia
Through exhibitions, projects, excursions, workshops, conferences and other events, the Cultural Advisor for Upper Silesia communicates to a wide public in Germany, Poland and the Czech Republic about the many diverse aspects and interconnections of the regional culture and history of Upper Silesia.
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Einrichtungstyp
Cultural office
Cultural Office for West Prussia, Poznan Land and Central Poland
The Cultural Office highlights the different aspects of cultural diversity with reference to the regions of West Prussia, Poznan Land, Central Poland and Westphalia.
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Einrichtungstyp
Cultural office
Cultural Office for the Danube Region
The Cultural Advisor organizes events, projects, and exhibitions regarding the culture and history of Germans in Southeastern Europe. An important aspect of this are the activities directed at young people.
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Veranstaltungsreihentyp
Workshop series
Current research on...
The workshop series run by the Herder Institute presents current research trends and topics of historical research on East Central Europe.
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Projekttypen
International cooperation
European Network Remembrance and Solidarity
The European Network Remembrance and Solidarity (ENRS) is an international initiative whose aim is to research, document and disseminate knowledge about Europe’s 20th-century history and ways in which it is commemorated. ENRS promotes dialogue about the European culture of remembrance with a...
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Förderprogrammtyp
project funding
General project funding by the Federal Government Commissioner for Culture and the Media in accordance with Section 96 of the Federal Expellees Act
You would like to contribute to the research, preservation or communication of the German cultural heritage in Eastern Europe? The BKM supports, among other things, research projects, conferences, publications, theater, film and exhibition productions. It also supports projects to promote cultural...
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Projekttypen
Research project
German-Lithuanian Years: Caesuras in the Relations between Germany and Lithuania in the 20th Century
Germany and Lithuania have little in common if we look at the two countries from a political and economic perspective. One is a heavyweight of the European Union, the other one of its smallest members. And yet there have always been moments when relations between the central European power and the...
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Thementexttyp
Introduction
Jewish History in Eastern Europe: The 19th Century
In Jewish history, the 19th century stands for a time of comprehensive change in all areas of life. Jews, who had previously seen themselves primarily as a religious group, now became supporters of various political or national movements. This gave rise to a range of new, constantly contested Jewish affiliations.
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Thementexttyp
Background article
Kharkiv–The Capital of Ukrainian Modernism
Kharkiv was the capital of Soviet Ukraine from 1919 to 1934 - a place of bold architectural experiments and the center of Ukraine's cultural avant-garde. Cultural historian Mikhail Ilchenko provides an insight into this period.
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Veranstaltungsreihentyp
series of seminars
Silesian encounters
HAUS SCHLESIEN goes international – German and Polish students from a wide range of universities meet several times a year for the "Silesian encounters" program in Königswinter to learn more about the history and culture of Silesia and the Federal Republic of Germany. Are you going to part of it?
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?