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Projects
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20th century
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Merbaum-Eisinger, Selma
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Fabritius, Bernd
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Smetana, Bedřich
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Czechs of prominence
How did Antonín Dvořák perceive the German language? What was the relationship of the composer Leoš Janáček or the soprano Ema Destinová to the Habsburg Monarchy? What moved Karel Čapek and Tomáš Garrigue Masaryk to become so committed to peaceful German-Czech coexistence? The travelling...
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Research project
Deutsche Minderheiten im östlichen Europa (German minorities in Eastern Europe)
Why was the political representative of the German minority in Romania elected President in 2014? How do the German minorities in Russia and Poland influence Berlin's relations with Moscow and Warsaw? The research and documentation project " Deutsche Minderheiten im östlichen Europa” (German...
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?
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Editorial
The Sounds of Bukovina
A region with many voices: The cultural diversity of Bukovina is particularly evident in its little-known music and singing culture – past and present. Twelve musical contributions provide an insight into the musical history of a multifaceted landscape on the northeastern edge of the Carpathians.
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Musical rendition
Tragik (Tragedy) / Schlaflied (Lullaby)
Lutz Landwehr von Pragenau (music), Selma Merbaum-Eisinger (text) / Martina Swandulla (alto), Lutz Landwehr von Pragenau (piano)