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Bettina Bouresh
"I’m a typical post-war child," says Bettina Bouresh. Born in 1950, she grew up burdened with German guilt and the traumas of her mother's family, who had lived in Allenstein until 1945. She herself felt homeless for a long time. Until one day she found her place: in Masuria. Here she found a home – and in Steinort Palace her life’s work. Today she is vice-chairwoman of the Lehndorff Society.
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Die Deutschen in und aus der Dobrudscha im 19. und 20. Jahrhundert (“The Germans in and from the Dobruja in the 19th and 20th Century”)
For almost 100 years Germans settled in the Romanian Dobruja, which initially belonged to the Ottoman Empire and, after the Berlin Congress, to Romania. From the 1840s until the National Socialist “resettlement” in the fall of 1940, these German-speaking settlers, most of whom had immigrated...
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Die Geschichten hinter den Objekten ("The stories behind the objects")
In the blog “Die Geschichten hinter den Objekten” ("The stories behind the objects"), HAUS SCHLESIEN brings to light Silesian life stories from the time between the German Empire and the People's Republic. Here you can discover, for example, how previously commonplace objects used in daily life...
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Image catalogue of the Herder Institute for Historical Research on East Central Europe – Institute of the Leibniz Association
In the online database of the Image Archive you will find the previously inventoried and digitized image materials from the collections of the Herder Institute as well as additional image sources from joint indexing and digitization projects with cooperation partners. Further analog and digital...
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Portraits of Artists Bearing Witness to their Times
The exhibition "Borders in Art. Three generations of Czech art" (21 May–15 August 2021) delved into how visible the visual arts make "borders". Its focus was on the Czech art scene from the 1920s up to the present. Three remarkable artistic standpoints – supplied by Toyen, Magdalena Jetelová,...
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Object story
The linen dresser
A simple chest of drawers, which came from the Steinort manor house, probably from the servants' quarters. In 1945 it was still quite new, made of pine, unpainted. Ten years ago, an old gentleman donated it to the Museum of Folklore in Węgorzewo, formerly Angerburg, along with other things he had taken from the manor after the end of the war.