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A Breath of Valkyrie on the Baltic Sea. Nationalism and Romanticism in the Literature of East Prussia
What do a knight of the Teutonic Order, the Song of the Nibelungs and Hermann the Cheruscan have in common? They were all intended to legitimize the founding of the German Empire in 1871, which celebrates its 150th anniversary this year. This was a "unification from above" for which Prussia waged...
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Musical rendition
Ein Lied geht um die Welt (A Song Goes Around the World) / Die tote Stadt op. 12 – Glück, das mir verblieb (The dead city – Joy, that remained to me)
Hans May (music), Ernst Neubach (text) / Erich Wolfgang Korngold (music), Paul Schott (text) / Richard Resch (tenor), Lutz Landwehr von Pragenau (piano)
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Emil Orlik
Emil Orlik (1870–1932) was one of the most famous and versatile Czech artists of the turn of the century. He was known primarily as a graphic artist and draftsman whose artistic work ranged between realism and art nouveau. His extensive oeuvre includes drawings of famous contemporary musicians and composers – whom Orlik also liked to show practicing their art.
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German-Lithuanian Years: Caesuras in the Relations between Germany and Lithuania in the 20th Century
Germany and Lithuania have little in common if we look at the two countries from a political and economic perspective. One is a heavyweight of the European Union, the other one of its smallest members. And yet there have always been moments when relations between the central European power and the...
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?