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A Breath of Valkyrie on the Baltic Sea. Nationalism and Romanticism in the Literature of East Prussia
What do a knight of the Teutonic Order, the Song of the Nibelungs and Hermann the Cheruscan have in common? They were all intended to legitimize the founding of the German Empire in 1871, which celebrates its 150th anniversary this year. This was a "unification from above" for which Prussia waged...
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Einrichtungstyp
Documentation center
Documentation Center for Displacement, Expulsion, Reconciliation
The Documentation Center offers exhibitions, a library and a testimony archive, tours, workshops and events. The Center provides information about the causes, dimensions and consequences of displacement, expulsion and forced migration in the past and present. Particular focus is on the displacement...
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Holding
Holdings and collections of the Documentation Center for Displacement, Expulsion, Reconciliation
The scientific library of the Documentation Center for Displacement, Expulsion, Reconciliation includes German and foreign language books, newspapers and magazines as well as digital media on the topic of forced migrations in the 20th and 21st centuries in Europe. In addition to a contemporary...
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Projekttypen
Research project
Interethnische Beziehungen im regionalen Kontext (“Interethnic Relations in a Regional Context”)
Over the centuries, Romanians, Hungarians and Germans have shaped the history and culture of Transylvania. Dr. Enikő Dácz at the Institute for German Culture and History in South-eastern Europe (IKGS) is researching how this interethnic coexistence was portrayed in the press in the early 20th...
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Interview (video)
Pandemic and Migration in Eastern Europe
Copernico asked: What role have epidemics and pandemics actually played in history, especially in Eastern Europe? How were they combated in the past? What impact did they have on the course of history? What role do they play, for example, in the context of human migration movements?
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?