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Event series
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Articles
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Biography
A diary report of deportation and arrival
Joanna Konopińska recounts her deportation by the Germans during World War II and her arrival in Wroclaw after the end of the war in 1945 in her moving diary “Tamten wrocławski rok”.
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Veranstaltungsreihentyp
series of seminars
Academia Silesia
German, Polish, Silesian, European? Identity and memory are complex, constantly changing and not always easy to put into words. So it’s just as well that they become the focus of attention for one week as part of "Academia Silesia" at the HAUS SCHLESIEN!
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Musical rendition
Ein Lied geht um die Welt (A Song Goes Around the World) / Die tote Stadt op. 12 – Glück, das mir verblieb (The dead city – Joy, that remained to me)
Hans May (music), Ernst Neubach (text) / Erich Wolfgang Korngold (music), Paul Schott (text) / Richard Resch (tenor), Lutz Landwehr von Pragenau (piano)
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Introduction
Emigration, Forced Migration, and the Iron Curtain
Eastern Europe has been a "migration hot spot" since the late 19th century: Initially as a core area of overseas emigration, then of ethnic forced migration after the end of World War I. Emigration during the Cold War was nearly impossible. Today, many countries in this region benefit from the European Union's Freedom of Movement policy.
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Veranstaltungsreihentyp
series of seminars
Oma kommt aus Schlesien ("Grandma comes from Silesia")
Families can be deeply affected and moved by stories about where they came from – and the stories and fates of those who escaped are still very much alive today. Many children and grandchildren carry the memories and traumas of their ancestors with them. HAUS SCHLESIEN addresses this issue and has...
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Veranstaltungsreihentyp
series of seminars
Silesian encounters
HAUS SCHLESIEN goes international – German and Polish students from a wide range of universities meet several times a year for the "Silesian encounters" program in Königswinter to learn more about the history and culture of Silesia and the Federal Republic of Germany. Are you going to part of it?
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?