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Object story
A Steinway for Eugen d'Albert?
In the “Eichendorff Hall” of Haus Schlesien in Königswinter there is a Steinway grand piano made of lemon wood. It is a noteworthy museum object not only because the famous Steinway & Sons lettering is emblazoned on it, but also, and above all, because it was owned by Gerhart Hauptmann, the 1912 Nobel Prize winner for literature.
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Editorial
Educational offers on the war against Ukraine
Russia's war against Ukraine has clearly demonstrated society's great need for secure knowledge about the country of Ukraine. With the project "Sustainable and broadly effective educational offers of the Leibniz Network Eastern Europe on the war against Ukraine", the GWZO is helping to close the existing knowledge gap.
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Background article
How did a German Emigrant find his Way in Eastern Europe at the Beginning of the 19th Century?
How someone finds their way in a foreign country can be explored in different ways. In the case of Franz Xaver Bronner's travels from Switzerland to Kazan in 1810, and his return in 1817, a geographical approach is used to provide a fact-based foundation.
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Introduction
Jazz in the Eastern Bloc
More than just music: During the Cold War, jazz suddenly found itself between all fronts – at the same time, it served as a propaganda weapon, a symbol of freedom and a musical bridge between East and West.
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Object story
Max Mannheimer and his silver-gray Tatra 87
Max Mannheimer (1920-2016) was an institution, as a painter and storyteller, as a Holocaust survivor and chairman of the Dachau Camp Community.
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Interview (video)
Pandemic and Migration in Eastern Europe
Copernico asked: What role have epidemics and pandemics actually played in history, especially in Eastern Europe? How were they combated in the past? What impact did they have on the course of history? What role do they play, for example, in the context of human migration movements?
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Editorial
Spaces - Borders - Projections
Since the beginning of Russia's war of aggression against Ukraine on February 24, 2022, questions around spaces and borders have increasingly appeared on the agenda of Eastern European studies. The contributions to the Copernico Portal’s newest area of focus demonstrate the important role played by space and border-related debates and the processes of appropriation and reinterpretation associated with them.
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?