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Articles
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Brahms, Johannes
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Erkel, Ferenc
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Hrushevskyi, Mykhailo
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Object story
A Steinway for Eugen d'Albert?
In the “Eichendorff Hall” of Haus Schlesien in Königswinter there is a Steinway grand piano made of lemon wood. It is a noteworthy museum object not only because the famous Steinway & Sons lettering is emblazoned on it, but also, and above all, because it was owned by Gerhart Hauptmann, the 1912 Nobel Prize winner for literature.
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Biography
Artist and Art Figure
Monika Hunnius is generally known as a Baltic German author. She, however, saw herself as a musician – and was part of a network of musicians that extended all over Europe, to which Julius Stockhausen, Johannes Brahms, and Clara Schumann belonged as well.
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Background article
Ruthenia quasi est alter orbis
"Rus' is almost another world" wrote the Krakow bishop Maciej around 1150. What was the basis of this differentiation? How powerful was it and how did it play out in reality? In search of answers, this article also discusses the dimensions and ambivalences of border demarcations.
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?
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Background article
The debate between Austrian and Hungarian
The region of Burgenland was transferred to Austria in 1921. After the First World War the country was compensated with a territory which had previously been a part of Hungary. Since its “birth”, Austria’s historical claim to the region was contested by Hungarian historians. In contrast, Austrian historians were eager to integrate Burgenland into their new national histories. What follows is a comparative case study of how historians participated in creating histories based on nation, region, or ethnicity.