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Background article
Antje Vollmer
She is known as a Green Party politician and for her longstanding role as Vice President of the German Bundestag. After retiring in 2005, she became a freelance author. Her first book project “Doppelleben” (Double Life) tells the story of Heinrich von Lehndorff, one of the conspirators of the events of 20 July 1944 , and his wife Gottliebe. It is a moving biography of two young aristocrats that tells of their daring and their love.
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Biography
Bettina Bouresh
"I’m a typical post-war child," says Bettina Bouresh. Born in 1950, she grew up burdened with German guilt and the traumas of her mother's family, who had lived in Allenstein until 1945. She herself felt homeless for a long time. Until one day she found her place: in Masuria. Here she found a home – and in Steinort Palace her life’s work. Today she is vice-chairwoman of the Lehndorff Society.
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Projekttypen
Research project
Bucovina – Jewish Perspectives
Until the Second World War, the historical Bukovina was known as an extremely multi-ethnic and multi-religious region. Nevertheless, the (German-speaking) public perception is often dominated by accounts published in the context of the "Landsmannschaft der Buchenlanddeutschen" (Landsmannschaft of...
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Projekttypen
Research project
Bukovina Germans: Inventions, Experiences and Narratives of an (imagined) Community
The Bukovina Institute at the University of Augsburg has set itself the task of preserving the history of Bukovina and its inhabitants. Inextricably linked to this are narratives of relocation and settlement, of flight and expulsion, and of integration processes in the later Federal Republic, the...
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Research institute | Cultural center | Library | Archive
Bukovina Institute at the University of Augsburg e.V.
The Bukovina Institute at the University of Augsburg is an affiliated institute of the University of Augsburg and is dedicated to researching and communicating knowledge about the culture and history of the historical region of Bukovina as well as about Eastern, East Central and Southeastern Europe.
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Holding
Collection of the East Prussian State museum with a Baltic German Department
The East Prussian State Museum (OL) is the central collection point for cultural heritage objects from East Prussia and the Baltic States, but its library also houses over 15,000 relevant titles relating to the area.
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Digital Library of the Digital Forum Central and Eastern Europe
The Digital Forum Central and Eastern Europe e.V. (DiFMOE) has been operating a digital, freely accessible specialized library with historical documents on Eastern Europe since 2008. In the middle of 2023, its holdings of periodicals included 254 titles, encompassing newspapers, magazines and annual...
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Documentation center
Documentation Center for Displacement, Expulsion, Reconciliation
The Documentation Center offers exhibitions, a library and a testimony archive, tours, workshops and events. The Center provides information about the causes, dimensions and consequences of displacement, expulsion and forced migration in the past and present. Particular focus is on the displacement...
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Encounters with a German-Polish cultural landscape
The history of West Prussia is very multi-faceted. It is an example of a cultural landscape on the Baltic Sea that has benefited from its advantageous location in the heart of Europe for centuries, but has also frequently become the political plaything of rulers. The permanent exhibition in the West...
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Biography
Eva Anna Therese Puschke
As far back as the 19th century, the Puschke family worked as teachers in Steinort and in the neighboring church village of Rosengarten. They played an important role in village life and had close ties to the noble Lehndorff family. The last teacher of the dynasty was Eva Puschke, a "lay teacher" in Rosengarten from 1940 to 1944. After the Germans were expelled, she lived in Hamburg. She left behind a suitcase full of family documents.
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Biography
Marek Makowski and Piotr Wagner
Two passionate sailors, raised in Giżycko, not far from Sztynort. Marek Makowski (b.1984) and Piotr Wagner (b.1986) left at a young age, took advantage of the opportunities on offer in a united Europe and later returned to the world they grew up in. Marek, an entrepreneur and owner of a sailing school, and Piotr, a self-employed interpreter, tour guide and cultural professional, share a tangible vision for Sztynort.
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Museum | Archive
Ostpreußisches Landesmuseum mit Deutschbaltischer Abteilung ("East Prussian State Museum with a Baltic German Department")
This museum, located right in the center of Lüneburg, is dedicated to the subject of East Prussia and the Baltic Germans. Here you will discover a fascinating region in East Central Europe, which, for 700 years, was shaped by the German language. Never before has a museum in Germany focused on the...
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Permanent exhibition of the East Prussian state museum
East Prussia: Formerly the easternmost German province, today it covers parts of Poland, Russia and Lithuania. With its family-friendly presentation style and high-quality, informative exhibits, the East Prussian state museum conveys as complete a picture as possible of the history, art, culture and...
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Object story
The Odyssey of a Rococo dresser
For more than 150 years, the Rococo dresser stood on the upper floor of the Steinort castle, in the so-called "Simson room". It bears witness to the lifestyle of an East Prussian noble family. Behind it lies an adventurous journey that began after the failed assassination attempt on Hitler on July 20, 1944, when Heinrich Graf von Lehndorff, the last lord of the castle, was arrested and executed.
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Object story
The linen dresser
A simple chest of drawers, which came from the Steinort manor house, probably from the servants' quarters. In 1945 it was still quite new, made of pine, unpainted. Ten years ago, an old gentleman donated it to the Museum of Folklore in Węgorzewo, formerly Angerburg, along with other things he had taken from the manor after the end of the war.
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Biography
Wife Gone, Money of Course Too
An important stop for the young Richard Wagner is Riga at the end of the 1830s. However, there are no artistic reasons that lead the upcoming composer to the northeast of Europe.