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Organizations
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Baroque sacred architecture in Vilnius: Decay and renewal
Today's Lithuanian capital Vilnius was not only part of a hybrid Polish-Lithuanian state for a long time, but was also shaped by a wide variety of cultures over the centuries. This is exemplarily visible in the city's sacral architecture – buildings that are often multi-ethnic and...
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Einrichtungstyp
Cultural office
Cultural Office for Pomerania and East Brandenburg
Rivers run through the old maps like veins. For Pomerania and East Brandenburg, the Oder is the main artery. Anyone who is curious about the past and present of these historically developed regions (which lie either side of the Oder) will discover a wide range of services and resources provided...
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Einrichtungstyp
Cultural office
Cultural Office for Russian Germans
Who are the Russian Germans? What were their experiences in the Soviet Union? How has their integration in Germany taken shape in the past and how is it continuing to evolve today? Russian-German repatriates are one of the largest migrant groups in Germany. Nevertheless, the majority of the...
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Forgotten civilization
In 2012 Artjom Uffelmann undertook a photographic expedition to the historic settlement area of the Volga Germans. He recorded their architectural legacy on exposed glass plates, which are now on display in an exhibition of the Cultural Office for Russian Germans.
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Thementexttyp
Introduction
Jewish History in Eastern Europe: The 19th Century
In Jewish history, the 19th century stands for a time of comprehensive change in all areas of life. Jews, who had previously seen themselves primarily as a religious group, now became supporters of various political or national movements. This gave rise to a range of new, constantly contested Jewish affiliations.
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?