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Collections and holdings
(1)
Funding programs
(1)
Exhibitions
(2)
Articles
(4)
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Art of painting
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Capital of the Saxon Garden Baroque on the Vistula River
The cartographic drawings of Warsaw from 1730-1762, preserved in the Dresden and Warsaw collections, illustrate the architectural garden city where the artistic ideas of the Saxon Baroque were crystallized. These exceptional documents bear testimony to a golden era where the urban landscape and cultural life of the city grew and flourished, stimulated by the patronage of the Saxon royal court, the great families of the Polish nobility, and the cooperation of Polish and Saxon craftsmen and artists.
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Library holdings | Archive
Collections and holdings of the Kunstforum Ostdeutsche Galerie
With its collection and in-house art library, including an artists’ archive, the Kunstforum Ostdeutsche Galerie (KOG) pursues a unique mission within Germany: to preserve, communicate and research the artistic heritage of the formerly German-influenced areas in Central, Eastern and Southeastern...
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Map and text
Commemorating Copernicus
Since the 19th century, numerous Copernicus monuments have been built around the world. Even today, new sites of remembrance honoring the astronomer emerge, especially in Poland. Each site has a unique agenda, narrative, and background.
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Art prize
Lovis Corinth Prize
Every two years, the KOG awards the Lovis Corinth Prize, worth € 10,000, to visual artists. The basis for this award is an internationally significant body of work that has been created in affiliation with or as a reflection of contemporary art in Eastern Europe.
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Places of commemoration of the Shoa in Szeged, Hungary
The Jewish community of Szeged in Hungary has a rich heritage dating back two centuries. Many of their descendants perished in the Holocaust, when Szeged was made the main deportation center for the region. The purpose of the following post is to showcase the Holocaust memorials erected by the locals.
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Background article
The debate between Austrian and Hungarian
The region of Burgenland was transferred to Austria in 1921. After the First World War the country was compensated with a territory which had previously been a part of Hungary. Since its “birth”, Austria’s historical claim to the region was contested by Hungarian historians. In contrast, Austrian historians were eager to integrate Burgenland into their new national histories. What follows is a comparative case study of how historians participated in creating histories based on nation, region, or ethnicity.
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Woher kommen wir, wohin gehen wir? ("Where do we come from, where are we going?")
This permanent exhibition invites visitors to take part on a journey through 200 years of art and cultural history in Central, Eastern and South-Eastern Europe. The exhibited works of art lead visitors through scenes of important historical events to important centers of art as well as to fictitious...
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reisen. entdecken. sammeln. ("travel. discover. collect.")
Travel. Discover. Collect. These three words encapsulate the motivation behind Hans-Peter Riese’s collection, which brings together art from Eastern and Western Europe. A central focus of the the exhibition is concrete art from the former Czechoslovakia, dating from 1960s until the 1980s, while...