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Background article
Adam Mickiewicz
Adam Mickiewicz, the Polish romantic, poet, translator and journalist, was a migrant for most of his life. He also travelled to Berlin, Rome, Constantinople and other places for pleasure, scientific purposes and on political missions. These frequent changes of location show a mobile and transnational life story.
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Ein Lied geht um die Welt (A Song Goes Around the World) / Die tote Stadt op. 12 – Glück, das mir verblieb (The dead city – Joy, that remained to me)
Hans May (music), Ernst Neubach (text) / Erich Wolfgang Korngold (music), Paul Schott (text) / Richard Resch (tenor), Lutz Landwehr von Pragenau (piano)
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Góra Kalwaria or Ger
Góra Kalwaria was one of many shtetls in Poland whose Jewish life disappeared in the wake of WW II. Also goods of Jewish culture suffered immense losses. Particularly interesting is the wartime fate of library owned by tzaddik's family Alter. The history of its dispersal during WW II is exemplary for many Jewish library collections in Nazi-occupied Europe.
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Introduction
Jews in Poland in the Middle Ages and Early Modern Times
The article offers an overview of Jewish history and the development of Jewish settlement in medieval and early modern Poland from the first recorded mentions of Jewish centers in the 11th century through to the end of the 18th century. As in the neighboring countries of Hungary and Bohemia, the Polish monarchs were also interested in Jewish settlement; the privilege of 1264 and its confirmations created the legal framework for this. Jews were involved in the economic and demographic development of Poland. The Jewish percentage of the urban population also grew, and their formative influence was particularly visible in the south-eastern provinces, which found expression in the concept of the Jewish "shtetl". In modern times, Poland-Lithuania also became a center of Jewish scholarship. The crises and wars in the mid-17th century brought an influx of messianic movements. In the 18th century, the impulses of the Jewish Enlightenment and the emancipation of the Jewish population were the subject of lengthy and lively discussion.
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Lied der Doina (Doina Song)
Georg Ritter von Onciul (Music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Introduction
Migration
The term migration refers to spatial movements of people. But not every change of location is considered migration. Exactly which phenomena and processes of regional mobility are understood as migration in scientific, political, media or public debates is contested and subject to constant change.
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Post-War Jewish Migration from the USSR and the refuseniki movement
The post-WW II Jewish migration from the Soviet Union (and also after its dissolution) is one of the largest in modern history. Altogether 2.75 million Soviet Jews left the USSR for Israel, the United States, Germany and elsewhere. The position of the Soviet state with respect to emigration was remarkably ambivalent: in some cases, it was allowed and even encouraged, in others, others; it was controlled and strongly limited. The Jewish emigration movement that arose in the late 1960s and continued throughout the 1970s-1980s became an example of resistance and activism within the authoritarian system, which increasingly alerted international attention. In one way or another, it affected the lives of hundreds of thousands of people and changed the appearance of many cities and towns within the Soviet Union and outside it.
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Resemnare (Resignation)
Ciprian Porumbescu (music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Schön Schätzchen, ich wünsch dir ein‘ schöne gute Nacht (My dearest, I wish you good night) / Oh du mein grüner Haselstrauch (Oh you my green hazel bush)
Two folk songs / Mia Jakob (soprano)
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Six Celan Songs – 5. Nächtlich geschürzt
Michael Nyman (music), Paul Celan (text) / Mia Jakob (soprano), Denise Maurer (piano)
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Tragik (Tragedy) / Schlaflied (Lullaby)
Lutz Landwehr von Pragenau (music), Selma Merbaum-Eisinger (text) / Martina Swandulla (alto), Lutz Landwehr von Pragenau (piano)
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Über Gipfel (Over Mountaintops)
Carmen Petra Basacopol (music), Mihai Eminescu (text) / Mia Jakob (soprano), Denise Maurer (piano)