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Online resources
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Biography
Artist and Art Figure
Monika Hunnius is generally known as a Baltic German author. She, however, saw herself as a musician – and was part of a network of musicians that extended all over Europe, to which Julius Stockhausen, Johannes Brahms, and Clara Schumann belonged as well.
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Veranstaltungsreihentyp
series of lectures
Experiencing Silesia
“Experiencing Silesia” – this isn’t just the title, but also the goal of the event series, for which, every year, a new, diverse program is created by the Cultural Office for Silesia.
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Object story
Farewell after 500 years
A document in the Silesian Museum in Görlitz testifies to the acquisition of the village of Gleinitz by the brothers Nikolaus, Georg and Ladislaus von Niebelschütz in 1446. It was only by chance that the descendent of the Niebelschütz family, Harald von Niebelschütz, then 15 years old, saved the document in 1945 and donated it to the museum in 2017.
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Forgotten civilization
In 2012 Artjom Uffelmann undertook a photographic expedition to the historic settlement area of the Volga Germans. He recorded their architectural legacy on exposed glass plates, which are now on display in an exhibition of the Cultural Office for Russian Germans.
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Recherchetooltyp
Online atlas
Schlesien im Spiegel der Geschichte ("Silesia in the mirror of history")
Silesia: a varied landscape and a heterogeneous society with a rich culture and history. HAUS SCHLESIEN's interactive online portal "Schlesien im Spiegel der Geschichte" ("Silesia in the Mirror of History") invites you on a rich journey of discovery. Here you can follow traces of Silesian culture,...
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Schlesische Grabkunst ("Funerary Art")
A HAUS SCHLESIEN exhibition in the baroque monastery complex in Leubus, Lower Silesia, is dedicated to special places of remembrance. It presents a selection of important churches and their funerary monuments in Silesia and aims to encourage visitors to make their own excursions to these special...
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?