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Schmidt, Hans
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Herder, Johann Gottfried von
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Ginczanka, Zuzanna
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Plotho, Gabriele
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Gefen, Aba
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Antje Vollmer
She is known as a Green Party politician and for her longstanding role as Vice President of the German Bundestag. After retiring in 2005, she became a freelance author. Her first book project “Doppelleben” (Double Life) tells the story of Heinrich von Lehndorff, one of the conspirators of the events of 20 July 1944 , and his wife Gottliebe. It is a moving biography of two young aristocrats that tells of their daring and their love.
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Biography
Artist and Art Figure
Monika Hunnius is generally known as a Baltic German author. She, however, saw herself as a musician – and was part of a network of musicians that extended all over Europe, to which Julius Stockhausen, Johannes Brahms, and Clara Schumann belonged as well.
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Introduction
Jews in Twentieth Century Eastern Europe
The twentieth century brought monumental changes and unprecedented challenges to the East-European Jewry. Its story is told here in the voices of six Jewish women, whose lives were marked by its turbulent course.
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Summer 1941: Jews from the Baltic States flee for their lives
The long shadow of the past. Only a few Jews from Lithuania and Latvia managed to escape the Holocaust in the Baltics. Here are some of their accounts and the reasons for their difficult escape.
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Biography
The Four Lehndorff Daughters
"I lost my home," Vera von Lehndorff once said, "but lost childhood is a better description." When her father was executed on September 4, 1944, she was five years old. Her sister Eleonore, "Nona," was six and a half, and Gabriele was two. Catharina was only 19 days old; she was born in the Torgau prison hospital. The Nazis had taken the girls and their mother Gottliebe into custody, a practice known in German as "Sippenhaft” or “kin liability". It was a traumatic time and was by no means over when the war ended in 1945.
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?