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Organizations
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Borders in Art
Art knows no borders – or at least that is often claimed. This exhibition is dedicated to the theme “Borders in Art.” How do artists react to political events and possible restrictions? What influences do they process and what visual language do they develop? The exhibition focuses on three...
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Born in Bohemia and Moravia – (un)known to us?
Did you know that Ferdinand Porsche, constructor of the VW Beetle, came from Bohemia? Or that the author of "The Robber Hotzenplotz", Otfried Preußler, was born in 1923 in Reichenberg (Liberec) in what was then Czechoslovakia? The touring exhibition of the Cultural Office for the Bohemian Lands "In...
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Czechs of prominence
How did Antonín Dvořák perceive the German language? What was the relationship of the composer Leoš Janáček or the soprano Ema Destinová to the Habsburg Monarchy? What moved Karel Čapek and Tomáš Garrigue Masaryk to become so committed to peaceful German-Czech coexistence? The travelling...
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Danube Swabians. Departures and encounters
"How happy is the German man, who can speak with Hungarians in their own tongue." An observation from 1805 of something that was essential for the survival of German settlers in Hungary at that time. This permanent exhibition at the Danube Swabian Museum offers a journey of discovery into the...
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Danube. River stories
"Look at me, says the Danube. Great am I, beautiful and wise. There is no one in Europe who could hold a candle to me." The Hungarian writer György Konrád put this not exactly modest statement into the mouth of the great river when he opened the first International Danube Festival in Ulm in 1998...
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Der Weg ins Ungewisse ("The road to the unknown")
Millions of Germans who were forced to leave Silesia between 1945 and 1947 found themselves on a road into the unknown. The Poles who arrived here during this period already had this road behind them, however, their future was still uncertain. This touring exhibition of HAUS SCHLESIEN, which is...
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Ernst Friedrich Zwirner
Er hatte eine Bauzeit von mehr als 600 Jahren, ist knapp 157 Meter hoch und zieht heutzutage mehr als 6 Millionen Besucher jährlich an: Der Kölner Dom. Die Vollendung des monumentalen Stadtwahrzeichens im 19. Jahrhundert ist zu guter Letzt auch Ernst Friedrich Zwirner, einem orts- und...
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Klosterdämmerung ("The Twilight of the Monastery") – Part I
In the Kingdom of Prussia, the abolition of all monasteries in 1810 meant a decisive historical turning point. The first part of the exhibition project "Klosterdämmerung" ("The Twilight of the Monastery") shows the historical development of the seven Silesian Cistercian monasteries from the Middle...
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Klosterdämmerung ("The Twilight of the Monastery") – Part II (Leubus)
In the Kingdom of Prussia, the abolition of all monasteries in 1810 meant a decisive historical turning point. The second part of the exhibition project "Klosterdämmerung" ("The Twilight of the Monastery") shows the historical development of the oldest of the seven Silesian Cistercian monasteries...
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Klosterdämmerung ("The Twilight of the Monastery") – Part III (Kamieniec Ząbkowicki)
In the Kingdom of Prussia, the abolition of all monasteries in 1810 meant a decisive historical turning point. The third part of the exhibition project "Klosterdämmerung" ("The Twilight of the Monastery") shows the historical development of the municipality and the Cistercian Abbey in Kamieniec...
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Kunst - Mensch - System ("Art - man - system")
Adaptation or resistance: these were the two poles between which many artists in the Soviet Union moved. The exhibition "Kunst - Mensch - System" ("Art - man - system") uses the example of the sculptor Jakob Wedel to show the influence the totalitarian regime had on an artist's work and everyday...
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My name is Eugen
"Thirteen young Russian Germans bear the name Eugen. They have never met each other, yet they share a striking experience: they were all formerly called Evgenij. Their stories and experiences are unique. The author Eugen Litwinow travelled with them into the past, sharing long conversations about...
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SILESIAN PLACES OF REMEMBRANCE - THE PERMANENT EXHIBITION OF HAUS SCHLESIEN
Eight thematic modules, around 300 objects on 300 square metres, 15 interactive media and nine hands-on stations and two audio tours - the exhibition presentation in HAUS SCHLESIEN is as diverse as the region of Silesia itself. On the basis of selected Silesian Silesian places of remembrance, the...
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Schlesische Grabkunst ("Funerary Art")
A HAUS SCHLESIEN exhibition in the baroque monastery complex in Leubus, Lower Silesia, is dedicated to special places of remembrance. It presents a selection of important churches and their funerary monuments in Silesia and aims to encourage visitors to make their own excursions to these special...
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Typisch schlesisch!? ("Typically Silesian!?")
"Is there such thing as a Silesian identity, and if so, how many?" The touring exhibition "Typically Silesian", which is available for loan, grapples with this question, which actually contains three other questions, namely, “where is Silesia?”, “who is Silesian?” and “what is typically...
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Unpacked
In this permanent exhibition, pieces of luggage and the stories of their Russian-German owners, are "unpacked". These are stories are marked by repeated migrations, different homelands and identities – and are still today an important part of German society as a whole.
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Verfolgte Kirche - Verbotene Bibel 1918-1988 ("Persecuted church – banned bible 1918-1988")
"Religion is opium for the people!" was Lenin's rephrasing of a quotation from Karl Marx in 1905. For 80 years the Soviet state waged one battle after another against churchgoers and clergy. The Russian-German population was particularly affected by this persecution, as they were once assured by...
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Volksgenosse oder Feind des Volkes? ("Comrade or enemy of the people?")
Black Sea Germans experienced two dictatorships during the Second World War: In one they were persecuted as "enemies of the people", in the other they are considered as "members of the nation". In a joint exhibition, the Odessa Regional History Museum and the Museum for Russian-German Cultural...
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Zu Hause und doch fremd ("At home and yet foreign")
At home and yet foreign – that was how it felt for millions of Germans who had fled or been driven out of Silesia and now had to create a new existence for themselves from scratch in the Federal Republic of Germany or the GDR. This was also the feeling of the Poles who had to relocate to Silesia,...
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Zürich an der Wolga ("Zurich on the Volga")
How did a village with the name "Zurich" come to be built on the Volga? And did Swiss people actually live there?