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Collections and holdings
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Event series
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Articles
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20th century
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Fassbinder, Rainer Werner
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Haeften, Nona (Eleonore)
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Brod, Max
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Wagner, Richard
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Antje Vollmer
She is known as a Green Party politician and for her longstanding role as Vice President of the German Bundestag. After retiring in 2005, she became a freelance author. Her first book project “Doppelleben” (Double Life) tells the story of Heinrich von Lehndorff, one of the conspirators of the events of 20 July 1944 , and his wife Gottliebe. It is a moving biography of two young aristocrats that tells of their daring and their love.
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Library holdings | Archive
Collections and holdings of the Institute for German Culture and History in Southeastern Europe (IKGS)
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Podcast
Hanna Schygulla
The actor Hanna Schygulla was 30 years old when she first met Gottliebe von Lehndorff in 1973. The scene of the encounter: the artists' colony in the old Peterskirchen vicarage, east of Munich. They lived there for thirteen years, their apartments backing onto each other. Despite their age difference, they had many things in common, not least the experience of losing their homeland. In the podcast, the years they shared at Peterskirchen come back to life.
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Reading series
Literature in the café
Literature belongs in the coffee house: well-known authors from the Czech lands meet lesser-known ones, and between the clatter of coffee cups and cake forks, there is more to hear than just café music.
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Biography
The Four Lehndorff Daughters
"I lost my home," Vera von Lehndorff once said, "but lost childhood is a better description." When her father was executed on September 4, 1944, she was five years old. Her sister Eleonore, "Nona," was six and a half, and Gabriele was two. Catharina was only 19 days old; she was born in the Torgau prison hospital. The Nazis had taken the girls and their mother Gottliebe into custody, a practice known in German as "Sippenhaft” or “kin liability". It was a traumatic time and was by no means over when the war ended in 1945.
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?