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Organizations
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East Central Europe
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Visual arts (disciplines)
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Einrichtungstyp
Archive | Collection | Museum
Art Forum East German Gallery ("Kunstforum Ostdeutsche Galerie")
The Art Forum East German Gallery (KOG) is an art museum with an outstanding collection ranging from Romanticism to Modernism and a unique focus on art creation in Eastern Europe. Here you can discover paintings, sculptures and graphic art by German artists who lived and worked in the region...
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Bestandstyp
Library holdings | Archive
Collections and holdings of the Kunstforum Ostdeutsche Galerie
With its collection and in-house art library, including an artists’ archive, the Kunstforum Ostdeutsche Galerie (KOG) pursues a unique mission within Germany: to preserve, communicate and research the artistic heritage of the formerly German-influenced areas in Central, Eastern and Southeastern...
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Veranstaltungsreihentyp
series of seminars
Educational partnership between the Martin Opitz Library and Mulvany Vocational College in Herne
The Martin Opitz Library teaches media competence. Both successful information research and a critical approach to media are becoming increasingly important, whether at school, university, work or in private life. In order to impart these skills successfully and practically, the MOB cooperates...
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Projekttypen
Research project
Intrafamily networks using the example of single persons in Latvian and Baltic-German family constructions
What was the significance of family connections for Latvians and Baltic Germans in the 19th and 20th centuries? The research project examines how family members interacted with each other and which networks developed in the process.
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Förderprogrammtyp
Art prize
Lovis Corinth Prize
Every two years, the KOG awards the Lovis Corinth Prize, worth € 10,000, to visual artists. The basis for this award is an internationally significant body of work that has been created in affiliation with or as a reflection of contemporary art in Eastern Europe.
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Recherchetooltyp
Online publication
Research contributions – Contemporary witness reports on the culture and history of the Germans in Eastern Europe in the 20th century
Contemporary eyewitness accounts are generally considered to be a particularly authentic way to access history. They make history comprehensible, even 'alive'. But is this really true? Aren't eyewitness accounts in their subjectivity, formedness and incompleteness rather a problematic...