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Organizations
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Kulturreferat für die böhmischen Länder
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Kulturreferat für Siebenbürgen, Bessarabien, Bukowina, Dobrudscha, Maramuresch, Moldau, Walachei
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Donauschwäbisches Zentralmuseum (DZM)
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Post-war period (Germany)
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Cultural office
Cultural Office for Transylvania, Bessarabia, Bukovina, Dobruja, Maramureș, Vltava, Wallachia at the Transylvanian Museum
The Cultural Office for Transylvania fulfills its duties according to § 96 BVFG (Federal Law on Refugees and Exiles), which obliges the federal and state governments to care for the cultural assets of expellees and refugees, to support and promote scientific research, and to preserve German...
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Cultural office
Cultural Office for the Bohemian Lands
Are you interested in the culture and literature that connects Germans and Czechs today? Are you keen to explore multifaceted events that arouse curiosity about Germany’s common history with its eastern neighbor, the Czech Republic? You will receive invitations by newsletter or, on request, the...
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Danube. River stories
"Look at me, says the Danube. Great am I, beautiful and wise. There is no one in Europe who could hold a candle to me." The Hungarian writer György Konrád put this not exactly modest statement into the mouth of the great river when he opened the first International Danube Festival in Ulm in 1998...
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Double-checked
Multiperspectivity enriches discussions enormously. How do representatives of the German-Czech network view current developments in the mutual relations between the two countries? The Cultural Advisor for the Bohemian Lands poses this thought-provoking question.
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HEIMATFREMDE
The question of how to deal with strangers and the foreign, but also with one's own sense of being alien, is at the center of many public discussions. Also for young people, the issue of how these matters are handled in their immediate, everyday environment is by no means an insignificant one. What...
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Object story
Home in a trunk of clothes - the Garlik family's traditional costume suitcase
This suitcase has traveled far – not, as one might expect, after the Second World War, but rather in the decades after the flight of the Nessner family. It was used to transport the traditional costumes of a Danube Swabian dance troupe from Baden-Württemberg as they toured to enclaves of Danube Swabians scattered around the world.