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Ein Lied geht um die Welt (A Song Goes Around the World) / Die tote Stadt op. 12 – Glück, das mir verblieb (The dead city – Joy, that remained to me)
Hans May (music), Ernst Neubach (text) / Erich Wolfgang Korngold (music), Paul Schott (text) / Richard Resch (tenor), Lutz Landwehr von Pragenau (piano)
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Introduction
Jazz in the Eastern Bloc
More than just music: During the Cold War, jazz suddenly found itself between all fronts – at the same time, it served as a propaganda weapon, a symbol of freedom and a musical bridge between East and West.
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Jewish Postcard Publishers and the Imagery of the Urban
In numerous cities across eastern Europe, Jewish publishers enjoyed notable success on the newly established postcard market. This article presents a socio-historical background of this topic and asks whether their social positioning influenced the depictions of the urban world they chose to feature on their postcards.
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Lied der Doina (Doina Song)
Georg Ritter von Onciul (Music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Biography
Marek Makowski and Piotr Wagner
Two passionate sailors, raised in Giżycko, not far from Sztynort. Marek Makowski (b.1984) and Piotr Wagner (b.1986) left at a young age, took advantage of the opportunities on offer in a united Europe and later returned to the world they grew up in. Marek, an entrepreneur and owner of a sailing school, and Piotr, a self-employed interpreter, tour guide and cultural professional, share a tangible vision for Sztynort.
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Mazurka f-minor op. 4
Karol Mikuli (music) / Denise Maurer (piano)
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Background article
On the connection between migration, diet, and belonging
To what extent can diet create social and cultural belongings? What is its potential significance in contexts of migration? Russian German examples demonstrate the very diverse ways in which questions of identity and diet are connected.
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Resemnare (Resignation)
Ciprian Porumbescu (music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Schön Schätzchen, ich wünsch dir ein‘ schöne gute Nacht (My dearest, I wish you good night) / Oh du mein grüner Haselstrauch (Oh you my green hazel bush)
Two folk songs / Mia Jakob (soprano)
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Background article
Siberian food and European taste
This article invites the reader to join a culinary journey through Siberia in the 18th century in a company of ethnographers from Europe and the Russian Empire. For the Russian Empire, the 18th century was a time of great expeditions to explore the vast imperial territory that extended all the way to the Pacific. Explorers investigated flora and fauna, natural resources, and land and sea routes, but also the inhabitants of Siberia and their way of life. Relying on the documents from the Second Kamchatka Expedition, we will learn how the Europeans reacted to Siberian cuisine and what could be hidden behind their “disgust” at it.
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Six Celan Songs – 5. Nächtlich geschürzt
Michael Nyman (music), Paul Celan (text) / Mia Jakob (soprano), Denise Maurer (piano)
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Sonatine für Klavier (Sonatina for piano)
Lutz Landwehr von Pragenau (music) / Lutz Landwehr von Pragenau (piano)
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Background article
The History of the German-speaking Volhynians as Part of a Global Migration History
From the mid-nineteenth century onward, innovations such as steam navigation and the advent of the railroad led to a sharp increase in global migration movements. The German-speaking Volhynians were part of this development, which moved between the ideal-typical poles of voluntary and forced migration and was significantly influenced by the enforcement of the ethnonational principle. This article focuses on the emigration movements of this group from the Russian governorate of Volhynia in the period between the 1860s and the First World War. The subsequent forced migrations of the German-speaking Volhynians are also briefly discussed.
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Editorial
The Sounds of Bukovina
A region with many voices: The cultural diversity of Bukovina is particularly evident in its little-known music and singing culture – past and present. Twelve musical contributions provide an insight into the musical history of a multifaceted landscape on the northeastern edge of the Carpathians.
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Tragik (Tragedy) / Schlaflied (Lullaby)
Lutz Landwehr von Pragenau (music), Selma Merbaum-Eisinger (text) / Martina Swandulla (alto), Lutz Landwehr von Pragenau (piano)
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Wilderness without borders?
A boundless wilderness – or a mountain range divided both politically and culturally? The neighboring Bavarian Forest and Šumava National Parks on the German-Czech border share a complicated history in which the state border plays a key role.
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Über Gipfel (Over Mountaintops)
Carmen Petra Basacopol (music), Mihai Eminescu (text) / Mia Jakob (soprano), Denise Maurer (piano)