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Funding programs
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Exhibitions
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Articles
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Forgotten civilization
In 2012 Artjom Uffelmann undertook a photographic expedition to the historic settlement area of the Volga Germans. He recorded their architectural legacy on exposed glass plates, which are now on display in an exhibition of the Cultural Office for Russian Germans.
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Förderprogrammtyp
Cultural promotion
Project funding of the cultural departments for communication and education concerning the culture and history of the Germans in Eastern Europe
On the basis of §96 of the Federal Expellees and Refugees Act (BVFG), the nine cultural departments support external projects that provide opportunities for encounters and effectively communicate to the broader public in the interests of presenting, maintaining and passing on cultural, historical...
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Thementexttyp
Background article
The History of the German-speaking Volhynians as Part of a Global Migration History
From the mid-nineteenth century onward, innovations such as steam navigation and the advent of the railroad led to a sharp increase in global migration movements. The German-speaking Volhynians were part of this development, which moved between the ideal-typical poles of voluntary and forced migration and was significantly influenced by the enforcement of the ethnonational principle. This article focuses on the emigration movements of this group from the Russian governorate of Volhynia in the period between the 1860s and the First World War. The subsequent forced migrations of the German-speaking Volhynians are also briefly discussed.
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The Life of the Baltic Nobility - Manor Houses in Estonia and Latvia
Magnificent chandeliers, ornamental stuccoed ceilings, and salons filled with music – was aristocratic life in the Baltic really so splendid?
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Thementexttyp
Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?