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Biography
Artist and Art Figure
Monika Hunnius is generally known as a Baltic German author. She, however, saw herself as a musician – and was part of a network of musicians that extended all over Europe, to which Julius Stockhausen, Johannes Brahms, and Clara Schumann belonged as well.
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Einrichtungstyp
Cultural office
Cultural Office for Russian Germans
Who are the Russian Germans? What were their experiences in the Soviet Union? How has their integration in Germany taken shape in the past and how is it continuing to evolve today? Russian-German repatriates are one of the largest migrant groups in Germany. Nevertheless, the majority of the...
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Danube. River stories
"Look at me, says the Danube. Great am I, beautiful and wise. There is no one in Europe who could hold a candle to me." The Hungarian writer György Konrád put this not exactly modest statement into the mouth of the great river when he opened the first International Danube Festival in Ulm in 1998...
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Picture gallery
Emil Orlik
Emil Orlik (1870–1932) was one of the most famous and versatile Czech artists of the turn of the century. He was known primarily as a graphic artist and draftsman whose artistic work ranged between realism and art nouveau. His extensive oeuvre includes drawings of famous contemporary musicians and composers – whom Orlik also liked to show practicing their art.
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Biography
Fritz Lamm: A diary as a companion during his escape in 1936
Fritz Lamm describes his escape from the Nazi persecution of Jews from Stettin via Switzerland and Austria to Prague in his previously unpublished diary.
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Background article
Migration to Southeast Europe in the 18th Century
Migration stories can be success stories. Migration is often associated with people’s desire to improve their living situation. However, this wish does not always come true, and so migration stories are often marked by disappointments and failures – like that of Michael Kreutzer.
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Background article
Post-War Jewish Migration from the USSR and the refuseniki movement
The post-WW II Jewish migration from the Soviet Union (and also after its dissolution) is one of the largest in modern history. Altogether 2.75 million Soviet Jews left the USSR for Israel, the United States, Germany and elsewhere. The position of the Soviet state with respect to emigration was remarkably ambivalent: in some cases, it was allowed and even encouraged, in others, others; it was controlled and strongly limited. The Jewish emigration movement that arose in the late 1960s and continued throughout the 1970s-1980s became an example of resistance and activism within the authoritarian system, which increasingly alerted international attention. In one way or another, it affected the lives of hundreds of thousands of people and changed the appearance of many cities and towns within the Soviet Union and outside it.
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Background article
The History of the German-speaking Volhynians as Part of a Global Migration History
From the mid-nineteenth century onward, innovations such as steam navigation and the advent of the railroad led to a sharp increase in global migration movements. The German-speaking Volhynians were part of this development, which moved between the ideal-typical poles of voluntary and forced migration and was significantly influenced by the enforcement of the ethnonational principle. This article focuses on the emigration movements of this group from the Russian governorate of Volhynia in the period between the 1860s and the First World War. The subsequent forced migrations of the German-speaking Volhynians are also briefly discussed.
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?