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Series
DigiOst
DigiOst is a digital publication series on the history of Eastern Europe. It offers high-quality and up-to-date anthologies and conference proceedings, source editions, and monographs. On request, copies can be ordered via a print-on-demand process.
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Cultural institution
German Culture Forum for Central and Eastern Europe
The German Culture Forum for Central and Eastern Europe works to promote cross-border communication of German culture and the history of Eastern Europe in the form of events, exhibitions, and both printed and digital publications.
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Introduction
Jazz in the Eastern Bloc
More than just music: During the Cold War, jazz suddenly found itself between all fronts – at the same time, it served as a propaganda weapon, a symbol of freedom and a musical bridge between East and West.
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Journal
Journal of East Central European Studies
The bilingual Journal of East Central European Studies (ZfO), published by an international editorial board at the Herder Institute, is one of the most renowned specialist organs for historical research on East Central Europe. It is published quarterly in open access and features scholarly articles...
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Series
New Perspectives on Central and Eastern European Studies
Decades after the political changes of 1989, Eastern Europe remains one of the lesser known regions of the world. The publication series “New Perspectives on Central and Eastern European Studies” therefore investigates its history with a special focus on the Baltic States, Poland, the Czech...
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Editorial
Spaces - Borders - Projections
Since the beginning of Russia's war of aggression against Ukraine on February 24, 2022, questions around spaces and borders have increasingly appeared on the agenda of Eastern European studies. The contributions to the Copernico Portal’s newest area of focus demonstrate the important role played by space and border-related debates and the processes of appropriation and reinterpretation associated with them.
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?