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Cultural office
Cultural Office for Russian Germans
Who are the Russian Germans? What were their experiences in the Soviet Union? How has their integration in Germany taken shape in the past and how is it continuing to evolve today? Russian-German repatriates are one of the largest migrant groups in Germany. Nevertheless, the majority of the...
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Cultural office
Cultural Office for Silesia
“Where is Silesia, actually?” Younger people, in particular, often ask themselves this question. The Cultural Office for Silesia offers a diverse program for all who wish to embark on a quest – to search for Silesia.
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Digital Library of the Digital Forum Central and Eastern Europe
The Digital Forum Central and Eastern Europe e.V. (DiFMOE) has been operating a digital, freely accessible specialized library with historical documents on Eastern Europe since 2008. In the middle of 2023, its holdings of periodicals included 254 titles, encompassing newspapers, magazines and annual...
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Double-checked
Multiperspectivity enriches discussions enormously. How do representatives of the German-Czech network view current developments in the mutual relations between the two countries? The Cultural Advisor for the Bohemian Lands poses this thought-provoking question.
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Publikationsreihentyp
Journal
Halbjahresschrift für Geschichte und Zeitgeschehen in Zentral- und Südosteuropa (“Biannual Journal for History and Culture in Central and South East Europe”)
Now with a new publisher, the "Halbjahresschrift" (“Biannual Journal for History and Culture in Central and South East Europe”, HJS) is back! But its purpose remains the same: The systematic and academic examination of authoritarian regimes in Central and South East Europe and their...
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Veranstaltungsreihentyp
Interview series
Im Fokus. Interviews zu Böhmen
Who is aware, today, that the roots of prominent personalities such as SPD politician Renate Schmidt or ice hockey legend Erich Kühnhackl lie in Bohemia? Cultural officer Wolfgang Schwarz seeks to elicit previously unknown facts from them in a conversation.
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Recherchetooltyp
Online finding aid
Press clippings online
The online database "Press clippings online" enables the research of press clippings from the personal dossiers of the press clippings archive at the Herder Institute for East Central European History. The service is continually updated as further material is indexed and made available online. For...
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Museum
Silesian Museum of Görlitz
The Silesian Museum in Görlitz is the central museum for Silesia in Germany. Exhibitions, publications and events explore the cultural history of Silesia from the 13th century to the present day. The museum is constantly looking for new ways to approach this ancient cultural landscape and invites...
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The "Kafka 2024" festival
The start of June 2024 will mark the centenary of Franz Kafka's death. The festival "Kafka 2024" celebrates this anniversary, with numerous events taking place throughout the year and across three countries. An online portal was launched in 2023 to guide visitors through the festival.
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Thementexttyp
Background article
The History of the German-speaking Volhynians as Part of a Global Migration History
From the mid-nineteenth century onward, innovations such as steam navigation and the advent of the railroad led to a sharp increase in global migration movements. The German-speaking Volhynians were part of this development, which moved between the ideal-typical poles of voluntary and forced migration and was significantly influenced by the enforcement of the ethnonational principle. This article focuses on the emigration movements of this group from the Russian governorate of Volhynia in the period between the 1860s and the First World War. The subsequent forced migrations of the German-speaking Volhynians are also briefly discussed.
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?