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Projects
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Exhibitions
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Articles
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Blog post
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Monument (remembrance culture)
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Song (genre)
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Politics of memory
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Veranstaltungsreihentyp
series of seminars
Academia Silesia
German, Polish, Silesian, European? Identity and memory are complex, constantly changing and not always easy to put into words. So it’s just as well that they become the focus of attention for one week as part of "Academia Silesia" at the HAUS SCHLESIEN!
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Projekttypen
Research project
Collected memory - from German local museum to Polish regional museum
How were German local museums transformed into local Polish museums in the postwar period? What role did the German collections play in this process? Were they instrumentalized to convey political messages? The aim of the research project is to investigate these questions on the basis of Polish...
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Thementexttyp
Map and text
Commemorating Copernicus
Since the 19th century, numerous Copernicus monuments have been built around the world. Even today, new sites of remembrance honoring the astronomer emerge, especially in Poland. Each site has a unique agenda, narrative, and background.
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Communicating about Eastern Europe on Digital Channels
The virtual conference “The Digital Shift in Academic Communication: Challenges for the Research and Presentation of the History of Eastern Europe” was held on 12 November 2021 to mark the launch of the online portal Copernico. Historians, researchers working in the digital humanities, and...
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Thementexttyp
Musical rendition
Ein Lied geht um die Welt (A Song Goes Around the World) / Die tote Stadt op. 12 – Glück, das mir verblieb (The dead city – Joy, that remained to me)
Hans May (music), Ernst Neubach (text) / Erich Wolfgang Korngold (music), Paul Schott (text) / Richard Resch (tenor), Lutz Landwehr von Pragenau (piano)
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ICOM4Ukraine on the Protection of Cultural Property in Wartime
Since February 24, 2022 Ukraine has been exposed to the Russian war of aggression. In the media we see not only images of desperate, injured and killed people, but also bombed churches, memorials, theaters and museums. In view of the destruction of numerous art and cultural assets, the question...
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Thementexttyp
Musical rendition
Lied der Doina (Doina Song)
Georg Ritter von Onciul (Music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Thementexttyp
Background article
Malbork Castle, the Knights of the Teutonic Order and the "German East" in the 19th and 20th Centuries
How far did the “German East” extend? With recourse to Malbork Castle, which was “rediscovered” around 1800, German historical policy in the 19th and 20th centuries found very different answers to this question.
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Thementexttyp
Background article
Places of commemoration of the Shoa in Szeged, Hungary
The Jewish community of Szeged in Hungary has a rich heritage dating back two centuries. Many of their descendants perished in the Holocaust, when Szeged was made the main deportation center for the region. The purpose of the following post is to showcase the Holocaust memorials erected by the locals.
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Thementexttyp
Musical rendition
Resemnare (Resignation)
Ciprian Porumbescu (music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Schlesische Grabkunst ("Funerary Art")
A HAUS SCHLESIEN exhibition in the baroque monastery complex in Leubus, Lower Silesia, is dedicated to special places of remembrance. It presents a selection of important churches and their funerary monuments in Silesia and aims to encourage visitors to make their own excursions to these special...
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Musical rendition
Six Celan Songs – 5. Nächtlich geschürzt
Michael Nyman (music), Paul Celan (text) / Mia Jakob (soprano), Denise Maurer (piano)
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Thementexttyp
Background article
The Białystok Ghetto Cemetery as a Setting of Historical-Political Disputes
The history of the necropolis in eastern Poland acts like a burning glass, a focal point of the upheavals of the 20th century and Polish-Jewish relations after the Shoa. Today, remembrance of this historically significant site alternates between disinterest, urban image cultivation, and a ritualized sense of duty.
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Introduction
The Copernican Revolution – a European legacy?
The 550th anniversary of Nicolaus Copernicus’ birth invites us to look at the mark that the astronomer left on the world. And it is also an opportunity to look more closely at how Copernicus has been viewed in the past and how these anniversaries have been treated differently in different periods of history.
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Background article
The Copernicus anniversary year of 1973 in East Germany
In East Germany, the Copernicus anniversary was marked by a range of ceremonies and receptions. The aim was to highlight positive relations between Germany and Poland, with Copernicus being presented as a pioneer for the socialist state’s worldview.
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Background article
The Copernicus anniversary year of 1973 in West Germany
In West Germany, the Copernicus anniversary was coordinated and organized centrally. A lot of effort was put in to ensure that the celebrations would have a wide-reaching impact. Organizations representing those displaced from East and West Prussia played a special role in the celebrations.
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Background article
The Copernicus anniversary year of 1973 in the Polish People’s Republic
The Polish celebrations to mark the anniversary of Copernicus’ birth in 1973 were widespread and impacted science, the general public, and international relations. An expensive feature movie about the life of Copernicus was one of the main features of the celebrations.
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Editorial
The Sounds of Bukovina
A region with many voices: The cultural diversity of Bukovina is particularly evident in its little-known music and singing culture – past and present. Twelve musical contributions provide an insight into the musical history of a multifaceted landscape on the northeastern edge of the Carpathians.
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Thementexttyp
Musical rendition
Tragik (Tragedy) / Schlaflied (Lullaby)
Lutz Landwehr von Pragenau (music), Selma Merbaum-Eisinger (text) / Martina Swandulla (alto), Lutz Landwehr von Pragenau (piano)
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Musical rendition
Über Gipfel (Over Mountaintops)
Carmen Petra Basacopol (music), Mihai Eminescu (text) / Mia Jakob (soprano), Denise Maurer (piano)