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A Breath of Valkyrie on the Baltic Sea. Nationalism and Romanticism in the Literature of East Prussia
What do a knight of the Teutonic Order, the Song of the Nibelungs and Hermann the Cheruscan have in common? They were all intended to legitimize the founding of the German Empire in 1871, which celebrates its 150th anniversary this year. This was a "unification from above" for which Prussia waged...
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Borders in Art
Art knows no borders – or at least that is often claimed. This exhibition is dedicated to the theme “Borders in Art.” How do artists react to political events and possible restrictions? What influences do they process and what visual language do they develop? The exhibition focuses on three...
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Call for Papers: Eastern Europe: Spaces, Borders, Projections
The online portal "Copernico. History and Cultural Heritage in Eastern Europe" is calling for contributions for a new focus on the topic of "Eastern Europe: Spaces, Borders, Projections", which will be published in Spring 2023 in the portal's thematic magazine.
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Double-checked
Multiperspectivity enriches discussions enormously. How do representatives of the German-Czech network view current developments in the mutual relations between the two countries? The Cultural Advisor for the Bohemian Lands poses this thought-provoking question.
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Thementexttyp
Musical rendition
Ein Lied geht um die Welt (A Song Goes Around the World) / Die tote Stadt op. 12 – Glück, das mir verblieb (The dead city – Joy, that remained to me)
Hans May (music), Ernst Neubach (text) / Erich Wolfgang Korngold (music), Paul Schott (text) / Richard Resch (tenor), Lutz Landwehr von Pragenau (piano)
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Projekttypen
Research project
German-Lithuanian Years: Caesuras in the Relations between Germany and Lithuania in the 20th Century
Germany and Lithuania have little in common if we look at the two countries from a political and economic perspective. One is a heavyweight of the European Union, the other one of its smallest members. And yet there have always been moments when relations between the central European power and the...
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Introduction
Jewish History in Eastern Europe: The 19th Century
In Jewish history, the 19th century stands for a time of comprehensive change in all areas of life. Jews, who had previously seen themselves primarily as a religious group, now became supporters of various political or national movements. This gave rise to a range of new, constantly contested Jewish affiliations.
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Background article
Kharkiv–The Capital of Ukrainian Modernity
Kharkiv was the capital of Soviet Ukraine from 1919 to 1934 - a place of bold architectural experiments and the center of Ukraine's cultural avant-garde. The expert on urban history Mikhail Ilchenko provides an insight into this period.
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Musical rendition
Lied der Doina (Doina Song)
Georg Ritter von Onciul (Music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Musical rendition
Resemnare (Resignation)
Ciprian Porumbescu (music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Recherchetooltyp
Online atlas
Schlesien im Spiegel der Geschichte ("Silesia in the mirror of history")
Silesia: a varied landscape and a heterogeneous society with a rich culture and history. HAUS SCHLESIEN's interactive online portal "Schlesien im Spiegel der Geschichte" ("Silesia in the Mirror of History") invites you on a rich journey of discovery. Here you can follow traces of Silesian culture,...
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Musical rendition
Schön Schätzchen, ich wünsch dir ein‘ schöne gute Nacht (My dearest, I wish you good night) / Oh du mein grüner Haselstrauch (Oh you my green hazel bush)
Two folk songs / Mia Jakob (soprano)
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Musical rendition
Six Celan Songs – 5. Nächtlich geschürzt
Michael Nyman (music), Paul Celan (text) / Mia Jakob (soprano), Denise Maurer (piano)
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Object story
Swimming to Freedom
On the night of May 22-23, 1979, 36-year-old Gernot Eamandi swims across the heavily guarded Danube from Romania to Yugoslavia. His destination: the Federal Republic of Germany. With him: a backpack from his army days.
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?
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Background article
The debate between Austrian and Hungarian
The region of Burgenland was transferred to Austria in 1921. After the First World War the country was compensated with a territory which had previously been a part of Hungary. Since its “birth”, Austria’s historical claim to the region was contested by Hungarian historians. In contrast, Austrian historians were eager to integrate Burgenland into their new national histories. What follows is a comparative case study of how historians participated in creating histories based on nation, region, or ethnicity.
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Musical rendition
Tragik (Tragedy) / Schlaflied (Lullaby)
Lutz Landwehr von Pragenau (music), Selma Merbaum-Eisinger (text) / Martina Swandulla (alto), Lutz Landwehr von Pragenau (piano)
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Background article
Wilderness without borders?
A boundless wilderness – or a mountain range divided both politically and culturally? The neighboring Bavarian Forest and Šumava National Parks on the German-Czech border share a complicated history in which the state border plays a key role.
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Zwischen Revolution und Ruhrbesetzung
Ein Ende mit Schrecken und ein folgenreicher Friedensvertrag: Die ausleihbare Wanderausstellung „Zwischen Revolution und Ruhrbesetzung“ von HAUS SCHLESIEN behandelt die Jahre nach dem Ersten Weltkrieg in Schlesien.
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Musical rendition
Über Gipfel (Over Mountaintops)
Carmen Petra Basacopol (music), Mihai Eminescu (text) / Mia Jakob (soprano), Denise Maurer (piano)