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Picture gallery
A City Inside the City
Some disdain it as an enclave of a consumerist, unthinking middle class. Others sing its praises and consider it a one-of-a-kind urban development project. No other urban district in Poland has been written about and discussed as much as the Miasteczko Wilanów. But where do the roots of this discussion lie? What part do literature and other art forms play in the reproduction of those narratives? And what does the reality behind the stereotypes and urbanistic homages actually look like?
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Background article
Between Polish Metropolis and Provincial Prussian Town
The period of Prussian rule in Warsaw has traditionally received little attention and is usually interpreted as an early climax of Prussian-German expansionism in Poland. Yet it was also a time when, under the influence of the Enlightenment, a number of important educational initiatives developed in the city.
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Background article
Capital of the Saxon Garden Baroque on the Vistula River
The cartographic drawings of Warsaw from 1730-1762, preserved in the Dresden and Warsaw collections, illustrate the architectural garden city where the artistic ideas of the Saxon Baroque were crystallized. These exceptional documents bear testimony to a golden era where the urban landscape and cultural life of the city grew and flourished, stimulated by the patronage of the Saxon royal court, the great families of the Polish nobility, and the cooperation of Polish and Saxon craftsmen and artists.
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Map and text
Commemorating Copernicus
Since the 19th century, numerous Copernicus monuments have been built around the world. Even today, new sites of remembrance honoring the astronomer emerge, especially in Poland. Each site has a unique agenda, narrative, and background.
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Musical rendition
Ein Lied geht um die Welt (A Song Goes Around the World) / Die tote Stadt op. 12 – Glück, das mir verblieb (The dead city – Joy, that remained to me)
Hans May (music), Ernst Neubach (text) / Erich Wolfgang Korngold (music), Paul Schott (text) / Richard Resch (tenor), Lutz Landwehr von Pragenau (piano)
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Background article
Jewish Postcard Publishers and the Imagery of the Urban
In numerous cities across eastern Europe, Jewish publishers enjoyed notable success on the newly established postcard market. This article presents a socio-historical background of this topic and asks whether their social positioning influenced the depictions of the urban world they chose to feature on their postcards.
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Musical rendition
Lied der Doina (Doina Song)
Georg Ritter von Onciul (Music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Musical rendition
Mazurka f-minor op. 4
Karol Mikuli (music) / Denise Maurer (piano)
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Musical rendition
Resemnare (Resignation)
Ciprian Porumbescu (music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Biography
Samuel Fränkel
The Berlin Jew Samuel Fränkel (1773-1833) settled in Warsaw in 1798 as a representative of a large bank. Within a few years and across numerous political breaks, Fränkel rose to become the most important banker in a divided Poland. In doing so, Fränkel always successfully drew on his transnational connections to Jews and non-Jews in Prussia, Austria and Russia.
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Musical rendition
Schön Schätzchen, ich wünsch dir ein‘ schöne gute Nacht (My dearest, I wish you good night) / Oh du mein grüner Haselstrauch (Oh you my green hazel bush)
Two folk songs / Mia Jakob (soprano)
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Musical rendition
Six Celan Songs – 5. Nächtlich geschürzt
Michael Nyman (music), Paul Celan (text) / Mia Jakob (soprano), Denise Maurer (piano)
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Musical rendition
Sonatine für Klavier (Sonatina for piano)
Lutz Landwehr von Pragenau (music) / Lutz Landwehr von Pragenau (piano)
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Background article
The Lehndorff Hunting Lodge
This charming wooden building was once the hunting lodge of the Lehndorff counts. Here they would gather after the great hunts to feast and celebrate together. Later, the building was leased to an innkeeper. After 1945 it was used as a storehouse, and for a while it served as a village store. It gradually fell into disrepair until one day it caught the eye of the young businessman Alexander Potocki.
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Editorial
The Sounds of Bukovina
A region with many voices: The cultural diversity of Bukovina is particularly evident in its little-known music and singing culture – past and present. Twelve musical contributions provide an insight into the musical history of a multifaceted landscape on the northeastern edge of the Carpathians.
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Musical rendition
Tragik (Tragedy) / Schlaflied (Lullaby)
Lutz Landwehr von Pragenau (music), Selma Merbaum-Eisinger (text) / Martina Swandulla (alto), Lutz Landwehr von Pragenau (piano)
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Musical rendition
Über Gipfel (Over Mountaintops)
Carmen Petra Basacopol (music), Mihai Eminescu (text) / Mia Jakob (soprano), Denise Maurer (piano)