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External Image
Projekttypen
Digitalization project
Jewish German Bukovina 1918+
"Jewish-German Bukovina 1918+" is a digitization project of the Digital Forum Central and Eastern Europe and offers free access to historical and contemporary documents from Bukovina or related to Bukovina. The time period ranges from the end of the First World War to the present.
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Projekttypen
Editing project
Josef Pfitzner und Hans Hirsch
Source edition of the interwar correspondence between Prague-based historian and Nazi politician Josef Pfitzner and Hans Hirsch.
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Einrichtungstyp
Research institute
Leibniz Institute for Jewish History and Culture – Simon Dubnow (DI)
The research focuses on Jewish life and experience, viewed in the context of non-Jewish surroundings from the Early Modern Period to the present. With a view to Central and Eastern Europe as well as the areas of emigration (USA, Palestine/Israel), the focus is on questions of political participation...
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Veranstaltungsreihentyp
Reading series
Literature in the café
Literature belongs in the coffee house: well-known authors from the Czech lands meet lesser-known ones, and between the clatter of coffee cups and cake forks, there is more to hear than just café music.
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Thementexttyp
Object story
Max Mannheimer and his silver-gray Tatra 87
Max Mannheimer (1920-2016) was an institution, as a painter and storyteller, as a Holocaust survivor and chairman of the Dachau Camp Community.
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Einrichtungstyp
Museum | Archive
Ostpreußisches Landesmuseum mit Deutschbaltischer Abteilung ("East Prussian State Museum with a Baltic German Department")
This museum, located right in the center of Lüneburg, is dedicated to the subject of East Prussia and the Baltic Germans. Here you will discover a fascinating region in East Central Europe, which, for 700 years, was shaped by the German language. Never before has a museum in Germany focused on the...
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Object story
Papierówki – “Paper Apples”
A summer apple. The first to ripen. In Polish, it is called "papierówka", in German "Papierapfel" (paper apple). It once grew almost everywhere in Masuria and Warmia, including in the garden of Stefan Tymiec's grandmother, Gertrud. "It smelled and tasted delicious," he remembers. "And that yellow!" For his 60th birthday, he brought seedlings from a Polish nursery all the way to Wuppertal.
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Permanent exhibition of the East Prussian state museum
East Prussia: Formerly the easternmost German province, today it covers parts of Poland, Russia and Lithuania. With its family-friendly presentation style and high-quality, informative exhibits, the East Prussian state museum conveys as complete a picture as possible of the history, art, culture and...
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Portraits of Artists Bearing Witness to their Times
The exhibition "Borders in Art. Three generations of Czech art" (21 May–15 August 2021) delved into how visible the visual arts make "borders". Its focus was on the Czech art scene from the 1920s up to the present. Three remarkable artistic standpoints – supplied by Toyen, Magdalena Jetelová,...
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Thementexttyp
Background article
Post-War Jewish Migration from the USSR and the refuseniki movement
The post-WW II Jewish migration from the Soviet Union (and also after its dissolution) is one of the largest in modern history. Altogether 2.75 million Soviet Jews left the USSR for Israel, the United States, Germany and elsewhere. The position of the Soviet state with respect to emigration was remarkably ambivalent: in some cases, it was allowed and even encouraged, in others, others; it was controlled and strongly limited. The Jewish emigration movement that arose in the late 1960s and continued throughout the 1970s-1980s became an example of resistance and activism within the authoritarian system, which increasingly alerted international attention. In one way or another, it affected the lives of hundreds of thousands of people and changed the appearance of many cities and towns within the Soviet Union and outside it.
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Veranstaltungsreihentyp
series of lectures
Scientific lectures
Cross-border research: Literature and culture of the Czech lands are still characterized by the coexistence of different linguistic cultures. This calls for a comparative, transcultural approach. The lecture series brings Germanists, Bohemians and cultural scientists from the Czech Republic, Austria...
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Biography
Stefan Tymiec Junior
Stefan Tymiec was born in Sztynort in July 1950. “I had a happy childhood”, he says. He hardly felt anything of the tragedies that his parents had lived through. His mother was German and remained in her homeland in 1945. His father was Ukrainian, one of many people who had been forcibly resettled from southeastern Poland. Stefan's childhood happiness lasted eight years, then the family set off for the West.
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Editorial
Steinort – a European place of remembrance
Steinort is a European place of remembrance, because it is a place where the most diverse stories and memories intersect, intertwine, and overlap. The interview project by Ulla Lachauer and Agata Kern explores these subjective strands of memory and reveals a number of different cultures of remembrance.
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Introduction
Steinort/Sztynort Migration Stories
Steinort Palace in northern Masuria was the seat of the noble Lehndorff family until 1945. The last Count, Heinrich von Lehndorff, was one of the conspirators of July 20, 1944. These stories tell of the fate of the East Prussian noble family and follow the lives of people who lived in the village, which is called Sztynort today. Others tell of German and Polish enthusiasts who are working to revive the run-down manor house. 17 biographical texts explore themes of expulsion and new beginnings, tragedy and awakening in this multi-ethnic region.
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Biography
The Four Lehndorff Daughters
"I lost my home," Vera von Lehndorff once said, "but lost childhood is a better description." When her father was executed on September 4, 1944, she was five years old. Her sister Eleonore, "Nona," was six and a half, and Gabriele was two. Catharina was only 19 days old; she was born in the Torgau prison hospital. The Nazis had taken the girls and their mother Gottliebe into custody, a practice known in German as "Sippenhaft” or “kin liability". It was a traumatic time and was by no means over when the war ended in 1945.
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Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?
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The Schaleks – a Central European Family / Schalekovi – středoevr+ opská rodina
A war correspondent, an artistic witness of the Shoah, a resistance fighter and escape helper, a judge in the Hanussen trial and an activist of the German minority – all from one German-Czech-Jewish family.
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Thementexttyp
Object story
The linen dresser
A simple chest of drawers, which came from the Steinort manor house, probably from the servants' quarters. In 1945 it was still quite new, made of pine, unpainted. Ten years ago, an old gentleman donated it to the Museum of Folklore in Węgorzewo, formerly Angerburg, along with other things he had taken from the manor after the end of the war.
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Projekttypen
Research project | Publication project
Under surveillance
This project focuses on the observation of displaced persons' organizations and functionaries by the socialist intelligence services.
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Thementexttyp
Biography
Verus von Plotho
"There was no culture of remembrance in my family," says Verus von Plotho. He grew up in a cosmopolitan world. He was born in Sao Paulo, Brazil, in 1969 and grew up in Munich. His mother is Gabriele Freifrau von Plotho, the third daughter of Heinrich and Gottliebe von Lehndorff. There was hardly any talk at home about his grandfather and his resistance to Hitler, nor about his earlier life at Steinort Castle. Grandson Verus grew up – unencumbered – in the shadow of a dramatic past.
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