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Exhibitions
(3)
Event series
(1)
Articles
(2)
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remove filter People and institutions:
Willmann, Michael
remove filter People and institutions:
Lachauer, Ulla
remove filter People and institutions:
Mannheimer, Max
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Authors Reading
Exquisite East Prussia
“Erlesenes Ostpreußen” (Exquisite East Prussia) is the name of the new video series by the Cultural Advisor for East Prussia and the Baltic States. The videos present literature from and about East Prussia und will be made available on the Youtube channel of the East Prussian State Museum.
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Klosterdämmerung ("The Twilight of the Monastery") – Part I
In the Kingdom of Prussia, the abolition of all monasteries in 1810 meant a decisive historical turning point. The first part of the exhibition project "Klosterdämmerung" ("The Twilight of the Monastery") shows the historical development of the seven Silesian Cistercian monasteries from the Middle...
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Klosterdämmerung ("The Twilight of the Monastery") – Part II (Leubus)
In the Kingdom of Prussia, the abolition of all monasteries in 1810 meant a decisive historical turning point. The second part of the exhibition project "Klosterdämmerung" ("The Twilight of the Monastery") shows the historical development of the oldest of the seven Silesian Cistercian monasteries...
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Object story
Max Mannheimer and his silver-gray Tatra 87
Max Mannheimer (1920-2016) was an institution, as a painter and storyteller, as a Holocaust survivor and chairman of the Dachau Camp Community.
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Portraits from Bohemia and Moravia
Whether artists, business managers, writers, scientists, politicians, folklorists, priests or journalists: who are these Sudeten German, Czech and Jewish women and men from Bohemia, Moravia and Silesia who, after decades of political isolation and personal separation, had the courage to get...
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Editorial
Steinort – a European place of remembrance
Steinort is a European place of remembrance, because it is a place where the most diverse stories and memories intersect, intertwine, and overlap. The interview project by Ulla Lachauer and Agata Kern explores these subjective strands of memory and reveals a number of different cultures of remembrance.