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Background article
Capital of the Saxon Garden Baroque on the Vistula River
The cartographic drawings of Warsaw from 1730-1762, preserved in the Dresden and Warsaw collections, illustrate the architectural garden city where the artistic ideas of the Saxon Baroque were crystallized. These exceptional documents bear testimony to a golden era where the urban landscape and cultural life of the city grew and flourished, stimulated by the patronage of the Saxon royal court, the great families of the Polish nobility, and the cooperation of Polish and Saxon craftsmen and artists.
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Ein Lied geht um die Welt (A Song Goes Around the World) / Die tote Stadt op. 12 – Glück, das mir verblieb (The dead city – Joy, that remained to me)
Hans May (music), Ernst Neubach (text) / Erich Wolfgang Korngold (music), Paul Schott (text) / Richard Resch (tenor), Lutz Landwehr von Pragenau (piano)
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Biography
Eva Anna Therese Puschke
As far back as the 19th century, the Puschke family worked as teachers in Steinort and in the neighboring church village of Rosengarten. They played an important role in village life and had close ties to the noble Lehndorff family. The last teacher of the dynasty was Eva Puschke, a "lay teacher" in Rosengarten from 1940 to 1944. After the Germans were expelled, she lived in Hamburg. She left behind a suitcase full of family documents.
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Map and text
In Copernicus’ name
These days, there are a whole host of organizations in Poland, Germany, and the USA bearing the name Copernicus. Although they all relate to the same historical person, they have quite different goals.
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Jewish Postcard Publishers and the Imagery of the Urban
In numerous cities across eastern Europe, Jewish publishers enjoyed notable success on the newly established postcard market. This article presents a socio-historical background of this topic and asks whether their social positioning influenced the depictions of the urban world they chose to feature on their postcards.
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Jews in Poland in the Middle Ages and Early Modern Times
The article offers an overview of Jewish history and the development of Jewish settlement in medieval and early modern Poland from the first recorded mentions of Jewish centers in the 11th century through to the end of the 18th century. As in the neighboring countries of Hungary and Bohemia, the Polish monarchs were also interested in Jewish settlement; the privilege of 1264 and its confirmations created the legal framework for this. Jews were involved in the economic and demographic development of Poland. The Jewish percentage of the urban population also grew, and their formative influence was particularly visible in the south-eastern provinces, which found expression in the concept of the Jewish "shtetl". In modern times, Poland-Lithuania also became a center of Jewish scholarship. The crises and wars in the mid-17th century brought an influx of messianic movements. In the 18th century, the impulses of the Jewish Enlightenment and the emancipation of the Jewish population were the subject of lengthy and lively discussion.
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Musical rendition
Lied der Doina (Doina Song)
Georg Ritter von Onciul (Music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Biography
Marek Makowski and Piotr Wagner
Two passionate sailors, raised in Giżycko, not far from Sztynort. Marek Makowski (b.1984) and Piotr Wagner (b.1986) left at a young age, took advantage of the opportunities on offer in a united Europe and later returned to the world they grew up in. Marek, an entrepreneur and owner of a sailing school, and Piotr, a self-employed interpreter, tour guide and cultural professional, share a tangible vision for Sztynort.
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Mazurka f-minor op. 4
Karol Mikuli (music) / Denise Maurer (piano)
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On the connection between migration, diet, and belonging
To what extent can diet create social and cultural belongings? What is its potential significance in contexts of migration? Russian German examples demonstrate the very diverse ways in which questions of identity and diet are connected.
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Musical rendition
Resemnare (Resignation)
Ciprian Porumbescu (music and text) / Mia Jakob (soprano), Denise Maurer (piano)
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Ruthenia quasi est alter orbis
"Rus' is almost another world" wrote the Krakow bishop Maciej around 1150. What was the basis of this differentiation? How powerful was it and how did it play out in reality? In search of answers, this article also discusses the dimensions and ambivalences of border demarcations.
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Schön Schätzchen, ich wünsch dir ein‘ schöne gute Nacht (My dearest, I wish you good night) / Oh du mein grüner Haselstrauch (Oh you my green hazel bush)
Two folk songs / Mia Jakob (soprano)
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Siberian food and European taste
This article invites the reader to join a culinary journey through Siberia in the 18th century in a company of ethnographers from Europe and the Russian Empire. For the Russian Empire, the 18th century was a time of great expeditions to explore the vast imperial territory that extended all the way to the Pacific. Explorers investigated flora and fauna, natural resources, and land and sea routes, but also the inhabitants of Siberia and their way of life. Relying on the documents from the Second Kamchatka Expedition, we will learn how the Europeans reacted to Siberian cuisine and what could be hidden behind their “disgust” at it.
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Musical rendition
Six Celan Songs – 5. Nächtlich geschürzt
Michael Nyman (music), Paul Celan (text) / Mia Jakob (soprano), Denise Maurer (piano)
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Sonatine für Klavier (Sonatina for piano)
Lutz Landwehr von Pragenau (music) / Lutz Landwehr von Pragenau (piano)
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Background article
The History of the German-speaking Volhynians as Part of a Global Migration History
From the mid-nineteenth century onward, innovations such as steam navigation and the advent of the railroad led to a sharp increase in global migration movements. The German-speaking Volhynians were part of this development, which moved between the ideal-typical poles of voluntary and forced migration and was significantly influenced by the enforcement of the ethnonational principle. This article focuses on the emigration movements of this group from the Russian governorate of Volhynia in the period between the 1860s and the First World War. The subsequent forced migrations of the German-speaking Volhynians are also briefly discussed.
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Editorial
The Sounds of Bukovina
A region with many voices: The cultural diversity of Bukovina is particularly evident in its little-known music and singing culture – past and present. Twelve musical contributions provide an insight into the musical history of a multifaceted landscape on the northeastern edge of the Carpathians.
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Musical rendition
Tragik (Tragedy) / Schlaflied (Lullaby)
Lutz Landwehr von Pragenau (music), Selma Merbaum-Eisinger (text) / Martina Swandulla (alto), Lutz Landwehr von Pragenau (piano)
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Über Gipfel (Over Mountaintops)
Carmen Petra Basacopol (music), Mihai Eminescu (text) / Mia Jakob (soprano), Denise Maurer (piano)