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Masuria
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"Wait till the Scots come!"
This old Prussian proverb exhorts us to be patient and wait for the right opportunity. But what does this have to do with the far north of Great Britain? The answer leads us to Gdansk. In the early modern era, the port city attracted numerous merchant ships from the Baltic region and beyond. Some even came from as far away as Scotland to seek their fortune there.
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Agata, Dorota, Iwona, Jolanta
"What luck that we had this kindergarten!" All four say. That was in the early 1970s. Agata and Jolanta now live in Germany, Dorota and Iwona have stayed in Masuria. Lehndorff Castle, the "Pałac", was a place they all felt happy. In those stately rooms they had a feeling of security and comfort, they played among the old oaks, went swimming in the lake. It was a microcosm away from the adult world with its worries and traumas.
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Antje Vollmer
She is known as a Green Party politician and for her longstanding role as Vice President of the German Bundestag. After retiring in 2005, she became a freelance author. Her first book project “Doppelleben” (Double Life) tells the story of Heinrich von Lehndorff, one of the conspirators of the events of 20 July 1944 , and his wife Gottliebe. It is a moving biography of two young aristocrats that tells of their daring and their love.
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Bettina Bouresh
"I’m a typical post-war child," says Bettina Bouresh. Born in 1950, she grew up burdened with German guilt and the traumas of her mother's family, who had lived in Allenstein until 1945. She herself felt homeless for a long time. Until one day she found her place: in Masuria. Here she found a home – and in Steinort Palace her life’s work. Today she is vice-chairwoman of the Lehndorff Society.
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Biography
Eva Anna Therese Puschke
As far back as the 19th century, the Puschke family worked as teachers in Steinort and in the neighboring church village of Rosengarten. They played an important role in village life and had close ties to the noble Lehndorff family. The last teacher of the dynasty was Eva Puschke, a "lay teacher" in Rosengarten from 1940 to 1944. After the Germans were expelled, she lived in Hamburg. She left behind a suitcase full of family documents.
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Gdansk’s “Soundscape” and Music Culture between 1800 and 1945
Can soundscapes of the past be reconstructed? What did cities actually sound like in centuries gone by? And do we associate certain sounds and soundscapes with the history of particular cities? This text introduces some possibilities of soundscape research, using the city of Gdansk as an example.
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How did a German Emigrant find his Way in Eastern Europe at the Beginning of the 19th Century?
How someone finds their way in a foreign country can be explored in different ways. In the case of Franz Xaver Bronner's travels from Switzerland to Kazan in 1810, and his return in 1817, a geographical approach is used to provide a fact-based foundation.
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Introduction
Jazz in the Eastern Bloc
More than just music: During the Cold War, jazz suddenly found itself between all fronts – at the same time, it served as a propaganda weapon, a symbol of freedom and a musical bridge between East and West.
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Interview (video)
Pandemic and Migration in Eastern Europe
Copernico asked: What role have epidemics and pandemics actually played in history, especially in Eastern Europe? How were they combated in the past? What impact did they have on the course of history? What role do they play, for example, in the context of human migration movements?
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Papierówki – “Paper Apples”
A summer apple. The first to ripen. In Polish, it is called "papierówka", in German "Papierapfel" (paper apple). It once grew almost everywhere in Masuria and Warmia, including in the garden of Stefan Tymiec's grandmother, Gertrud. "It smelled and tasted delicious," he remembers. "And that yellow!" For his 60th birthday, he brought seedlings from a Polish nursery all the way to Wuppertal.
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Editorial
Spaces - Borders - Projections
Since the beginning of Russia's war of aggression against Ukraine on February 24, 2022, questions around spaces and borders have increasingly appeared on the agenda of Eastern European studies. The contributions to the Copernico Portal’s newest area of focus demonstrate the important role played by space and border-related debates and the processes of appropriation and reinterpretation associated with them.
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Biography
Stefan Tymiec Junior
Stefan Tymiec was born in Sztynort in July 1950. “I had a happy childhood”, he says. He hardly felt anything of the tragedies that his parents had lived through. His mother was German and remained in her homeland in 1945. His father was Ukrainian, one of many people who had been forcibly resettled from southeastern Poland. Stefan's childhood happiness lasted eight years, then the family set off for the West.
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Editorial
Steinort – a European place of remembrance
Steinort is a European place of remembrance, because it is a place where the most diverse stories and memories intersect, intertwine, and overlap. The interview project by Ulla Lachauer and Agata Kern explores these subjective strands of memory and reveals a number of different cultures of remembrance.
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Steinort/Sztynort Migration Stories
Steinort Palace in northern Masuria was the seat of the noble Lehndorff family until 1945. The last Count, Heinrich von Lehndorff, was one of the conspirators of July 20, 1944. These stories tell of the fate of the East Prussian noble family and follow the lives of people who lived in the village, which is called Sztynort today. Others tell of German and Polish enthusiasts who are working to revive the run-down manor house. 17 biographical texts explore themes of expulsion and new beginnings, tragedy and awakening in this multi-ethnic region.
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Biography
The Four Lehndorff Daughters
"I lost my home," Vera von Lehndorff once said, "but lost childhood is a better description." When her father was executed on September 4, 1944, she was five years old. Her sister Eleonore, "Nona," was six and a half, and Gabriele was two. Catharina was only 19 days old; she was born in the Torgau prison hospital. The Nazis had taken the girls and their mother Gottliebe into custody, a practice known in German as "Sippenhaft” or “kin liability". It was a traumatic time and was by no means over when the war ended in 1945.
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The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?
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Editorial
The Sounds of Bukovina
A region with many voices: The cultural diversity of Bukovina is particularly evident in its little-known music and singing culture – past and present. Twelve musical contributions provide an insight into the musical history of a multifaceted landscape on the northeastern edge of the Carpathians.
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Object story
The linen dresser
A simple chest of drawers, which came from the Steinort manor house, probably from the servants' quarters. In 1945 it was still quite new, made of pine, unpainted. Ten years ago, an old gentleman donated it to the Museum of Folklore in Węgorzewo, formerly Angerburg, along with other things he had taken from the manor after the end of the war.
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Biography
Verus von Plotho
"There was no culture of remembrance in my family," says Verus von Plotho. He grew up in a cosmopolitan world. He was born in Sao Paulo, Brazil, in 1969 and grew up in Munich. His mother is Gabriele Freifrau von Plotho, the third daughter of Heinrich and Gottliebe von Lehndorff. There was hardly any talk at home about his grandfather and his resistance to Hitler, nor about his earlier life at Steinort Castle. Grandson Verus grew up – unencumbered – in the shadow of a dramatic past.