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A Breath of Valkyrie on the Baltic Sea. Nationalism and Romanticism in the Literature of East Prussia
What do a knight of the Teutonic Order, the Song of the Nibelungs and Hermann the Cheruscan have in common? They were all intended to legitimize the founding of the German Empire in 1871, which celebrates its 150th anniversary this year. This was a "unification from above" for which Prussia waged...
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Einrichtungstyp
Archive | Collection | Museum
Art Forum East German Gallery ("Kunstforum Ostdeutsche Galerie")
The Art Forum East German Gallery (KOG) is an art museum with an outstanding collection ranging from Romanticism to Modernism and a unique focus on art creation in Eastern Europe. Here you can discover paintings, sculptures and graphic art by German artists who lived and worked in the region...
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Projekttypen
Research project
Blood and Metal. The Transnational Knowledge Spaces of Ludwig Hirszfeld and Jan Czochralski in the 20th Century
The research project focuses on 20th-century Polish scientists who were not educated in Poland and examines how their inventions and ways of thinking were influenced by cultural factors such as nation, language and denomination, as well as the places they were educated and society as a whole.
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Digital Library of the Digital Forum Central and Eastern Europe
The Digital Forum Central and Eastern Europe e.V. (DiFMOE) has been operating a digital, freely accessible specialized library with historical documents on Eastern Europe since 2008. In the middle of 2023, its holdings of periodicals included 254 titles, encompassing newspapers, magazines and annual...
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Double-checked
Multiperspectivity enriches discussions enormously. How do representatives of the German-Czech network view current developments in the mutual relations between the two countries? The Cultural Advisor for the Bohemian Lands poses this thought-provoking question.
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Veranstaltungsreihentyp
series of lectures
Female German-speaking artists from in and around Eastern Europe
This series organised by the Cultural Advisor for Transylvania informs about remarkable artistic accomplishments by women from Eastern Europe and brings their innovative work more into the public eye. Many of these artists found a new home in Germany in the course of the 20th century. Through their...
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Förderprogrammtyp
Scholarship
Förderstipendien des Adalbert Stifter Vereins (Funded Fellowships of the Adalbert Stifter Association)
Do you deal with the culture and history of Germans in the Czech Lands, especially their interaction with Czech culture and other cultures of this region? If so, you can apply for a scholarship of the Adalbert Stifter Association.
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Projekttypen
Research project
German-Lithuanian Years: Caesuras in the Relations between Germany and Lithuania in the 20th Century
Germany and Lithuania have little in common if we look at the two countries from a political and economic perspective. One is a heavyweight of the European Union, the other one of its smallest members. And yet there have always been moments when relations between the central European power and the...
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Publikationsreihentyp
Journal
Halbjahresschrift für Geschichte und Zeitgeschehen in Zentral- und Südosteuropa (“Biannual Journal for History and Culture in Central and South East Europe”)
Now with a new publisher, the "Halbjahresschrift" (“Biannual Journal for History and Culture in Central and South East Europe”, HJS) is back! But its purpose remains the same: The systematic and academic examination of authoritarian regimes in Central and South East Europe and their...
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Thementexttyp
Podcast
Hanna Schygulla
The actor Hanna Schygulla was 30 years old when she first met Gottliebe von Lehndorff in 1973. The scene of the encounter: the artists' colony in the old Peterskirchen vicarage, east of Munich. They lived there for thirteen years, their apartments backing onto each other. Despite their age difference, they had many things in common, not least the experience of losing their homeland. In the podcast, the years they shared at Peterskirchen come back to life.
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ICOM4Ukraine on the Protection of Cultural Property in Wartime
Since February 24, 2022 Ukraine has been exposed to the Russian war of aggression. In the media we see not only images of desperate, injured and killed people, but also bombed churches, memorials, theaters and museums. In view of the destruction of numerous art and cultural assets, the question...
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Veranstaltungsreihentyp
Interview series
Im Fokus. Interviews zu Böhmen
Who is aware, today, that the roots of prominent personalities such as SPD politician Renate Schmidt or ice hockey legend Erich Kühnhackl lie in Bohemia? Cultural officer Wolfgang Schwarz seeks to elicit previously unknown facts from them in a conversation.
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Thementexttyp
Introduction
Jewish History in Eastern Europe: The 19th Century
In Jewish history, the 19th century stands for a time of comprehensive change in all areas of life. Jews, who had previously seen themselves primarily as a religious group, now became supporters of various political or national movements. This gave rise to a range of new, constantly contested Jewish affiliations.
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Background article
Kharkiv–The Capital of Ukrainian Modernity
Kharkiv was the capital of Soviet Ukraine from 1919 to 1934 - a place of bold architectural experiments and the center of Ukraine's cultural avant-garde. The expert on urban history Mikhail Ilchenko provides an insight into this period.
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Muses to the front!
"Inter arma silent musae". This classical saying referring to the silence of the muses during wartime is based on the idea that the arts, as a product of the human spirit, should remain untouched by blood and violence. In reality, however, no battles were fought without writers and artists making...
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Peter Weibel – (Post-)Europe?
In 2020, the Lovis Corinth Prize will be awarded to Peter Weibel. To celebrate the occasion, the KOG is dedicating an extensive exhibition to his life's work. The long-standing director of the ZKM, the Center for Art and Media in Karlsruhe, has been shaping the international media art scene for...
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Thementexttyp
Background article
Post-War Jewish Migration from the USSR and the refuseniki movement
The post-WW II Jewish migration from the Soviet Union (and also after its dissolution) is one of the largest in modern history. Altogether 2.75 million Soviet Jews left the USSR for Israel, the United States, Germany and elsewhere. The position of the Soviet state with respect to emigration was remarkably ambivalent: in some cases, it was allowed and even encouraged, in others, others; it was controlled and strongly limited. The Jewish emigration movement that arose in the late 1960s and continued throughout the 1970s-1980s became an example of resistance and activism within the authoritarian system, which increasingly alerted international attention. In one way or another, it affected the lives of hundreds of thousands of people and changed the appearance of many cities and towns within the Soviet Union and outside it.
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Recherchetooltyp
Online finding aid
Press clippings online
The online database "Press clippings online" enables the research of press clippings from the personal dossiers of the press clippings archive at the Herder Institute for East Central European History. The service is continually updated as further material is indexed and made available online. For...
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Recommended Reading: Die heutige Ukraine und ihre sowjetischen Wurzeln (Today's Ukraine and its Soviet Roots)
Since the beginning of the Russian invasion, Ukraine has been in the focus of world attention. Is now the hour for experts on Ukraine to be recognized and heard? The war has made many people aware of how little they actually know about this country and its history. To fill this knowledge gap or to...
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Thementexttyp
Introduction
The National Opera in Central and Eastern Europe
Today it is the passion of a select few music lovers – but in the 19th century, opera was a major social event, an expression of national consciousness, or even the musical declaration of national independence. But how did this happen? What role does the national opera play in Eastern Europe? And what makes an opera a national opera?